City Palace Jaipur
Built in the 18th century, the City Palace of Jaipur owes much of its design to a long tradition Rajput palaces, but goes beyond this to make the background elements of the paradigm that is not always met with success. The indigenous design of a palace consists of a sequence of cases to increase impenetrability external public sphere of inner apartments of the king and queen. The boxes are displayed as concentric zones, each marked by its own wall.
Here in the city during the palace are arranged in a linear array. The direction of travel to a protection center is maintained and the visitor comes to the main entrance of this still goes through a sequence of seven gates, the first being the Sireh Deorhi or border gate in the center of the eastern coast palace Sarahad.
The classic pattern and auspicious seven times, has been satisfactorily resolved horizontally vertically applied too. The Shastric texts specify the importance of the seven-story palace of the kings and Kshatriya Chandra Mahal is one of the few Rajput palace to reach this number of paradigm. Pritam Niwas is down a small courtroom in the center. The next two floors are occupied by the magnificent Sukh Niwas, double internal height, but expressed in two plants in the exterior facade. Above the Rangmahal also known as Sabha Niwas, stained glass and interior Chhavi Niwas painted blue, Shri Niwas with the Sheesh Mahal (Palace of Mirrors), and finally, the crowning of the Mukut Mandir painting. Individual shapes and patterns that make up the language of that architecture, as the column, arch, opening and balcony, all belong to the tradition continues Rajput palace. The order or style of architecture reflects here is regional. Asymmetry and a larger mass of compactness is characteristic of the period is reflected in the architecture of the City Palace.
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